19.1 Rion Ma19.1 Rion Ma

11/04/2011
Flügel, Disc Jockey on stage, Megaphon, Plastikhandschuhe, Steine, Fotos, Ventilator, Rasierer, Trillerpfeife, japanische Klangschale [rin], fliegende Gummis, Klebestreifen und weitere Klang-Accessoires

Komposition/Performer:
Johannes S. Sistermanns
Kazuya Ishigami / DJ
UA: 1998 - 30’00

UA: Kobe /Japan, 1998, Xebec Hall /
Goethe-Intitut Kyoto
Letzte Performance: Musicarama Festival Hong Kong -> Video 1+2
Interview Shimoda Nobuhisa - J S Sistermanns
grand piano, Disc Jockey on stage, megaphon, plastic gloves, stones, photos, ventilator, shaver, whistle, flying rubbers, scotch-tape, japanese acoustic bowl [rin] and other sound accessoires

Composition/Performer:
Johannes S. Sistermanns
Kazuya Ishigami / DJ
Premiere 1998 - 30’00

UA: Kobe /Japan, 1998, Xebec Hall /
Goethe-Intitut Kyoto
Last Performance: Musicarama Festival Hong Kong -> Video 1+2
Interview Shimoda Nobuhisa - J S Sistermanns

+++Stück für kontinuierliche Musik, ständigen Fluss, alles und mehr, zuviel, in situ/abhängig vom Aufführungsort, endloser Klangstrom, immer, kein Ende, keine Perfektion, und dann der Raum dazwischen, der erwartete Raum. Atmen, singen, spielen, resonieren. Ein Stück Klang von Verlieren, Sehnsucht, Wunsch, kein anderer Weg als tiefer hinein. Rufen.++++++Piece of continuous music, continuous flow, of all and more, of to much, in situ/dependent from space of performing, endless stream of sound, everlasting, no end, no perfection and then the space in between, the expected room. breathing, singing, playing, resonating. A sound piece of loss longing desire, no way out then much deeper in. Calling.+++
river flows
do what I have to do
no end no perfection
resonating
roomlistening
soundsitting
loss longing desire
grasswalking
no end no perfection
only

river flows
do what I have to do
no end no perfection
resonating
roomlistening
soundsitting
loss longing desire
grasswalking
no end no perfection
only

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